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Windgate Distinguished Fellowship for Innovation in Craft, Hambidge Center Residency
As Orange Barrel Industries (with Blake Sanders), we were awarded the Windgate Distinguished Fellowship for Innovation in Craft, Hambidge Center, two week residency fees waived and provided a $700 stipend. Rabun Gap, GA. https://www.hambidge.org/
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Woman – Wonder – Wish, International Portfolio Exchange Curated by Professor Melanie Yazzie, University of Colorado at Boulder
Women – Wonder – Wish Prospectus from Professor Melanie Yazzie: The theme is open to each artist’s perspective and imagination. The portfolio asks you to create a grouping of work about the idea of female, girl, young adult, woman. What do you want to share about the power we hold as human beings and the…
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Zak Mayfield, “Anon,” 14″x11″ on BFK Rives Paper and 13″x10″ on Thai Kozo Paper, Copper Etching with Aquatint, AR501 Intaglio Printmaking, Spring 2025
There are two variations of this print printed on BFK Rives and Thai Kozo. Also below is a proof on newsprint with a yellow relief roll on top of intaglio inking.
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Flynn Tucker, Collagraph, Plate 18″x12″ printed on BFK Rives Paper 22.25″x15″, AR501 Intaglio Printmaking, Spring 2025
Flynn created this collagraph plate with a range of materials including carborundum and mesh fabric as well as drawing with glue. For this introductory assignment, students used glue as a drawing material on their collagraph plates inspired in part by The Snake Artist on YouTube:
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Kate Cooper, Line Etching with Gold and Silver Leaf, 15″x11″, AR501 Intaglio Printmaking, Spring 2025
You can view more of Kate’s work on her website:
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Abby Koch, Project 1: Who We Are and How We Got Here, Pamplet Stitch Book with Collaged Digital Photos and Ink Pen, 8.5″x5.5″ when closed, AR505 Social Practice Printmaking and Fibers, Spring 2025
Project Prompt from Professor Jennifer Combe, University of Montana. Below is a part of the project rationale. “By engaging in this project, we acknowledge and give reverence to the beings who have supported our journey to this place. This project acknowledges the land and places that are important to us, the activities that fill our…
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Protected: A Burning Beneath, Zine Rough Draft
There is no excerpt because this is a protected post.
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Chalado, Sketchbook, Mar 2025-
I just started working in this sketchbook. It was designed by my 4 year old. He drew the cover art and selected the fabrics and name for the book. The name is “Batty” in Spanish, which is his nickname.
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Protected: And my Hills Came Alive, Rough Draft Zine
There is no excerpt because this is a protected post.
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Prarieside Outpost Residency 10 Year Anniversary Group Exhibition at the Leedy-Voulkos Art Center in Kansas City, MO
The artist and residency program Prairieside Outpost celebrated its 10 year anniversary in 2024. Blake Sanders and I spent a week there in 2015 as artist in residence in the beautiful Flint Hills of Kansas. In honor of the residency’s anniversary, we have been invited to a group art exhibition at Leedy-Voulkos Art Center in the Crossroads…
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“What Else?” International Print Exchange in France, Belgium, Italy and the United States
In 2023, American Artist Craig Burkhalter and French Artist Sylvie Veyrunes organized a print exchange with artists from the United States, France, Italy, and Belgium. The theme for the exchange was “What Else?,” and artists each created a print on the theme and shipped copies around the world. Participants included organizers Craig Burkhalter and Sylvie…
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Equilibrium: The Influence of Caretaking on Printmaking Practices, Constellation Studios, Lincoln, NE
Blake Sanders and I were contacted by Anne Burton, Melanie Finlayson and Susan Martin, who are printmakers, mothers, and curators for and upcoming exhibition Equilibrium: The Influence of Caretaking on Printmaking Practices at Constellation Studios in Lincoln, NE March 14, to April 25, 2025. Constellation Studios–founded by Karen Kunc–is a professional studio with gallery space that explores and celebrates…
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Beyond Convention: Pushing the Boundaries of Printmaking, Exhibition at Utah Cultural Celebration Center in West Valley City, UT
Blake Sanders and I were honored to be curated into Beyond Convention: Pushing the Boundaries of Printmaking by Professor Adam Larsen of Snow College in Ephraim, Utah. The exhibition takes place at Utah Cultural Celebration Center’s Pilar Pobil Gallery in West Valley City, Utah. An artists’ reception takes place Friday, December 6, from 6-8 pm. From…
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Eric Tolbert, Color Reduction Woodcut, 11″x15″, AR302 Relief & Mixed Media Printmaking, Fall 2024
Color reduction woodcut self portrait in various color schemes.
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Flynnn Tucker, Screenprint on Cut Paper with Linocut Block Print, 3.25″x9″, AR303 Screenprinting, Fall 2024
This was created for the introductory exercise in screenprinting. Students were asked to design and print bookmarks for Liberation Library, a nonprofit that provides free books–each with a handmade bookmark–to incarcerated youth in Illinois. About Liberation Library Mission “Liberation Library supports impacted young people in developing their imagination, leadership skills, self-determination, and connections with each…
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Spring 2025 Visiting Artist Workshop & Exhibition, Coastal Carolina University, Conway, SC
In Spring of 2025, Blake Sanders and I as Orange Barrel Industries will be presenting a bookbinding workshop using upcycled materials in downtown Conway, SC with support through Coastal Carolina University and Professor Meghan O’Connor through a sustainability grant. We will also have a solo exhibition up for the full Spring 2025 semester at the…
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Elizabeth Myers, Screen Filler and Drawing Fluid Screenprint on Paper, 9″x10″, AR303 Screenprinting, Fall 2024
Project prompt of “Presence and Absence,” working with hand cut stencils, drawing fluid, and/or screenfiller.
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Lukas Hilsgen, “I Bite Back,” Linocut on Paper, 10″x8″, AR302 Relief & Mixed Media Printmaking, Fall 2024
Print created for the project prompt, “Take a Stand.”
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Allie Ladwig, “Kindness Content,” Linocut on Paper, 15″x11″, AR302 Relief & Mixed Media Printmaking, Fall 2024
Print created in response to the “Take a Stand” Assignment prompt in AR302 Relief & Mixed Media Printmaking.
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Kaylee Shelby, Linocut on Paper, 11″x15″, AR302 Relief & Mixed Media Printmaking, Fall 2024
Created for the “Take a Stand” assignment prompt in AR302 Relief & Mixed Media Printmaking Class.
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Visiting Artist, University of Iowa
October 16-18th, I was a visiting artist at University of Iowa School of Art and Art History with Blake Sanders. I shared my sketchbook/artist book work, and Blake presented some new printmaking and fibers works in a pop up exhibition. We also gave a lecture Thursday, October 17th at 7:00pm in E125 VAB, participated in…
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Allison Heckman, Visual Measuring Drawings with Boxes, Graphite on Drawing Pad Paper, 24″x18″, AR100 Drawing I, Fall 2024
Students learn sight measuring to accurately depict 3-D rectilinear objects in a 2-D space with graphite pencils.
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Queer, Sketchbook Sept-Oct 2024
“Queerly Loved” is the theme of this sketchbook artist book from September to October of 2024. I hand bind my sketchbooks, usually in this long stitch binding style I learned from Keith A. Smith’s Nonadhesive Binding Vol. I: Binding Without Paste or Glue. The outside of the cover was created from hand screenprinted fabric and…
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“Hot Mess” Collaborative Drawing Exhibition at West Virginia University
In September 2024, I traveled to Morgantown, WV to present an exhibition in the Laura Mesaros Gallery. I was the first of three artists to install work, with the exhibition growing each month as Tennessee artist Dawn Martin Dickens installed later in September, and New York artist Judith Braun created their work in the gallery…
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Gems to Watch Out for, Sketchbook Jul-Sept 2024
Artist book/sketchbook from July through September 2024. This is a hand bound long stitch book made from an old cereal box, book binding cord, and hand printed fabrics for the cover. The fabrics are relief wood block prints and screenprints appliqué stitched together using a sewing machine. The interior of the book is created from…
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Puertograbando
April 2-5, 2025, I will be attending the Southern Graphics Council International Conference in San Juan, Puerto Rico. The conference was originally scheduled in 2020 as Puertogràfico, and I worked with Joseph Velasquez, professor of art at Florida Atlantic University and chair of the SGCI Ad Hoc Committee on Community Exchange, and Professor Blake Sanders…
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Come Hell or Crashing at Your Place
Screenprint on Paper, 22″x15″, 2024 This print was created for the Waterline: 30 Years of Newcomb Art Printmaking exchange curated by Professor Teresa Cole of Tulane University. The Waterline exchange will be exhibited alongside three decades of printmaking class print exchanges that Professor Cole has elicited from students over the course of her career teaching…
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Diary Comics
A selection of diary comics 2023-2024 As Per My Last Email Is It Just Like You Thought Work in Progress Transactional Therapy
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Undone
Blake Sanders and Hannah March Sanders; Crocheted Repurposed Fabrics, Screenprint on Fabric with Appliqué and Reverse Appliqué; 2024
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Dogleg
Crocheted repurposed fabrics, 9’x7’x0.25″, 2024 Created for a solo exhibition as Orange Barrel Industries entitled Undone for the Museum of Arts and Sciences (MAS) in Macon, GA, Summer-Fall 2024.
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Upsides Drown, Sketchbook, Jun-Jul 2024
Coptic bound book with found fabric cover. The cotton fabric was given to me by a friend in 2020 for sewing masks out of due to the sudden need for masks, which of course were very limited in availability, due to the Covid-19 Pandemic. I did sew many cloth masks for myself and my family,…
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Collagraph Demonstration, Mid America Print Council (MAPC) Conference, Fall 2024
I will be presenting a demonstration with Professor Teresa Cole of Tulane University on collagraph printmaking techniques at the 2024 Mid America Print Council (MAPC) Conferece this Fall: From the Ashes: Printmaking, Preservation, and Renewal. MAPC states that the conference focus is to “… explore the relationship between printmakers and the natural environment.” These theme…
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“Undone,” Solo Exhibition at the Museum of Arts & Sciences as Orange Barrel Industries, Macon, GA
Undone is a solo exhibition of work created by myself in collaboration with Blake Sanders as http://orangebarrelindustries/ that will be on display at the Museum of Arts & Sciences in Macon, Georgia June through October 2024.
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Spooked Velvet, Sketchbook, May-Jun 2024
This handmade sketchbook/artist book is bound from the skin of an ice cream birthday party balloon over a cereal box. Inside are 22″x30″ oil paintings, etchings, and various other prints and drawings on BFK Rives cotton rag and found papers. 11″x17″ when open.
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Lindsey Barnes, Graphite on Drawing Pad Paper, 18″x24″, One Point Perspective Hallway Drawing, AR100 Drawing I, Spring 2024
In this assignment, students learn the basics of mathematical perspective including finding horizon line, lines of demarcation, and building structures and details around the perspectival system in combination with sight measuring through visual observation.
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“Burden of Proof: Reproduction in the Institution,” Inkubator Session, 2024 Southern Graphics Council International (SGCI)
In March 2024, I will present as a Co-Organizer of the Roundable/Panel Discussion entitled “Burden of Proof: Reproduction in the Institution.” This Inkubator Session is co-chaired with Associate Professor Taryn McMahon of Kent State University and will be presented at the 2024 Southern Graphics Council International (SGCI) Conference in Providence, RI. This was a juried…
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Jacey Harris, Colored Pencils on Sulfite White Paper, 24″x18″, AR202 Drawing II: Figure Drawing, Superimposed Drawing Assignment, Spring 2024
This project is based on the “Superimposed Drawing” Assignment from the book Drawing Projects: An Exploration of the Language of Drawing, by Mick Maslen and Jack Southern (Black Dog Press, 2011).
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Grizz McWaters, Graphite on Newsprint, 18″x24″, Movement in Stages: Extended Gesture, AR202 Drawing II, Spring 2024
The Movement in Stages Drawing Assignment is an introduction to thinking about arranging the figure in space using gesture, line, shape, and some hatching and cross hatching (as desired) to create a dynamic composition that implies movement. It also helps students understand how to utilize longer drawing times while keeping mark making fresh, and drawings…
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Jacey Harris, Graphite in Sketchbook, 12″x9″, Portrait Study from @Earthsworld, Instagram, AR202 Drawing II, Spring 2024
Portrait Study from @Earthsworld on Instagram; Florida State Fair – 1121 // Feb 19, 2022; https://www.instagram.com/p/C3N31ljMraQ/?utm_source=ig_web_copy_link&igsh=MzRlODBiNWFlZA==
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Josie Hoskins, Graphite on Sulfite White Drawing Paper, 24″x18″, Movement in Stages: Extended Gesture, AR202 Drawing II, Spring 2024
The Movement in Stages Drawing Assignment is an introduction to thinking about arranging the figure in space using gesture, line, shape, and some hatching and cross hatching (as desired) to create a dynamic composition that implies movement. It also helps students understand how to utilize longer drawing times while keeping mark making fresh, and drawings…
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Jenna Brouk, Colored Pencil on Sulfite White Drawing Paper, 24″x18″, Movement in Stages: Extended Gesture, AR202 Drawing II, Spring 2024
The Movement in Stages Drawing Assignment is an introduction to thinking about arranging the figure in space using gesture, line, shape, and some hatching and cross hatching (as desired) to create a dynamic composition that implies movement. It also helps students understand how to utilize longer drawing times while keeping mark making fresh, and drawings…
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Fit to Print: Live Printing Workshop in Downtown Jackson, MO
For the February Annual in downtown Jackson, Missouri, I will be presenting a live interactive printmaking session with Blake Sanders as Orange Barrel Industries. This coincides with the History Center’s Printmaking Exhibition featuring work by us as well as Hatch Show Prints from Nashville, TN. The interactive sessions are free and take place at Lower…
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Adrianna Jefferson, Colored Pencil on Sulfite White Paper, 24″x18″, AR202 Drawing II: Figure Drawing, Superimposed Drawing Assignment, Spring 2024
This project is based on the “Superimposed Drawing” Assignment from the book Drawing Projects: An Exploration of the Language of Drawing, by Mick Maslen and Jack Southern (Black Dog Press, 2011).
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Printmaking & Professorship Workshop for HERE Literary Magazine
I was invited by Mia Pohlman, writer and editor, founder of Here, a literary magazine “Where Southeast Missouri high school students publish poetry, fiction, creative nonfiction, and artwork.” February: Printmaking + Being a Professor What is the history of the art of printmaking, and how is it used in the present? In this workshop, students will learn about the printmaking process and…
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Lukas Hilsgen, Colored Pencil on Sulfite White Drawing Paper, 24″x18″, Movement in Stages: Extended Gesture, AR202 Drawing II, Spring 2024
The Movement in Stages Drawing Assignment is an introduction to thinking about arranging the figure in space using gesture, line, shape, and some hatching and cross hatching (as desired) to create a dynamic composition that implies movement. It also helps students understand how to utilize longer drawing times while keeping mark making fresh, and drawings…
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Jacey Harris, Graphite on Newsprint, 24″x18″, Movement in Stages: Extended Gesture, AR202 Drawing II, Spring 2024
The Movement in Stages Drawing Assignment is an introduction to thinking about arranging the figure in space using gesture, line, shape, and some hatching and cross hatching (as desired) to create a dynamic composition that implies movement. It also helps students understand how to utilize longer drawing times while keeping mark making fresh, and drawings…
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“Limit/Less”, Invitational Solo Exhibition as Orange Barrel Industries, University of Alabama at Huntsville, 2024
January-February 2024, I installed a solo exhibition with Blake Sanders as Orange Barrel Industries entitled Limit/Less at University of Alabama at Huntsville in Huntsville, AL. The panorama below was taken by Professor Jose Betancourt at UAH. At the conclusion of the exhibition, we also presented a 2-day screenprinting and sewing/fibers workshop for students in the…
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Not Approved by the Comics Code Authority
I was honored to be invited by Professor Joe Lupo of West Virginia University to be the first interview published on his new site/series Not Approved by the Comics Code Authority, which goes live January 2024. According to Lupo, “This interview series is directly inspired by Laura Berman’s Reflections on Color and Printmaking. Utilizing a short interview…
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N1, Artist Book
Coptic Bound Book of Letterpress, Relief, and Screenprints with Needle Felted Covers and Metal Rings, 8″x6″x2″, 2024
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This Email Finds You
This print was created for SGCI 2024: Without Margins, an invitational printmaking exchange portfolio curated by Kyle Chaput of Baylor University in Waco, TX and Humberto Saenz of the University of Texas at San Antoni, TX. It will be exhibited in the following locations over 2024-2025, beginning with its presentation at the Southern Graphics Council…
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Anxious Anatomies
Illustrations made just for fun using anatomical drawings in the book Atlas of Human Anatomy and Surgery: The Complete Plates, a Taschen publication from Bibliotheca Universalis, Bourgery & Jacob. These illustrations were digitally drawn in Procreate.
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11th INTERNATIONAL PRINTMAKING BIENNIAL DOURO 2023: Douro Region, Portugal
2023 11th INTERNATIONAL PRINTMAKING BIENNIAL DOURO 2023, Invitational Exhibition curated by Nuno Canelas – Curator/Director of the Douro Biennial and GlobalPrint. Douro Region, Portugal. www.bienaldouro.com/
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Manny McQueen, Linocut on Paper, 11″x15″, AR302 Relief & Mixed Media Printmaking, Fall 2023
Prints were created on the theme of Drop Culture, beginning with a discussion and investigation of our personal styles, brand(s) of choice, shoe type/shape origins, origin of the sneaker itself and its place in culture. I directed students to check out the blogs https://hypebeast.com/ and https://hypebae.com/ style/streetwear sites as a resource for investigation. We also printed these designs on…
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Forrest Wallace, “Fleetwood Mac Meets Addidas,” 15″x11″, Linocut on Paper, AR302 Relief & Mixed Media Printmaking, Fall 2023
Prints were created on the theme of Drop Culture, beginning with a discussion and investigation of our personal styles, brand(s) of choice, shoe type/shape origins, origin of the sneaker itself and its place in culture. I directed students to check out I directed students to check out https://hypebeast.com/ and https://hypebae.com/ style/streetwear sites as a resource for investigation. We also…
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Flynn Tucker, Linocut on Paper, 11″x15″, AR302 Relief & Mixed Media Printmaking, Fall 2023
Prints were created on the theme of Drop Culture, beginning with a discussion and investigation of our personal styles, brand(s) of choice, shoe type/shape origins, origin of the sneaker itself and its place in culture. I directed students to check out the blogs https://hypebeast.com/ and https://hypebae.com/ style/streetwear sites as a resource for investigation. We also…
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Panelist at APHA Conference, UT Austin
Altered Books to Zines: Making Worlds I was invited by Christine Adame, Assistant Professor of Graphic Design & Foundations, Texas Woman’s University, Denton, TX, to present alongside Meredith Cawley and Billi London-Gray at the American Printing History Association‘s 2023 Conference: The Printed Weird on a panel entitled “Altered Books to Zines: Making Worlds.” The conference…
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Fray, Solo Exhibition as Orange Barrel Industries at MGCSU in Milledgeville, GA
We have a solo exhibition as Orange Barrel Industries (Blake Sanders and Hannah March Sanders) at Leland Gallery at Ennis Hall entitled “Fray.” The exhibition runs Sept. 21 – Oct. 14, 2023, and there will be a reception and virtual artist talk Oct. 5 from 5 p.m. until 7 p.m. The talk at 5:30 p.m.…
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Everything but Earth, Sketchbook, Apr-Sept 2023
Starting around 2019, I began giving themes to all of my hand-bound sketchbook/artist books. The theme for this tome, Everything but Earth, comes from a conversation with comic artist, printmaker, and publisher (Paper City Publishing) Andrew Kozlowski. We talked about my experiences with hurricanes, burns, floods, etc. and he remarked that I’ve been hit with…
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Stick/Stuck, Solo Exhibition at LSU Glassell Gallery, Baton Rouge, LA
September 5th-October 22nd, 2023, in collaboration with as Orange Barrel Industries, I had a solo exhibition at Louisiana State University’s downtown Glassell Gallery of Art in the Shaw Center in Baton Rouge, Louisiana.
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Quiltbait VI: idk
(Felt Quilt, Might Delete Later), Repurposed Quilted Fabrics with Machine Embroidery, 15″x15″x0.25″, 2023
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Biennial Faculty Exhibition, Southeast Missouri State University
The Biennial Faculty Exhibition was held Fall 2023 in the Crisp Museum on Southeast Missouri State University’s River Campus in Cape Girardeau, MO.
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Flourish Magazine, Fall 2023: Lineage Issue
This illustration was purchased to go with an interview of me by Flourish Magazine Editor, Mia Pohlman for the Lineage issue, published August 15, 2023 in print and on their website as “Artist Spotlight: Hannah March Sanders”
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JD Brown; “Double Identity;” 15″x11″; Line Etching with à la Poupée; edition Variable; AR501 Intaglio Printmaking; Spring 2023
Students were asked to create a multi-plate image in an edition or edition variable. Demonstrations were given on color ink mixing for intaglio and relief, à la poupée, viscosity printing, and multi-plate registration.
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Emma Reinsmith; Line Etch with Chine Collé; 15″x11″; AR501 Intaglio-Printmaking; Spring 2023
Alternative Processes Project Utilizing Chine-Collé, a la Poupée, Soft Ground and/or Mixed Media, Theme:Documentation and Memory Using WNYC’s Bored and Brilliant Challenge, “Photo-Free Day” from http://www.wnyc.org/story/challenge-2-photo-free-day/
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Pearl Duden, “Of Pandemics Past,” Digital Zine Comic, AR505 Special Topics: Making Comics, Spring 2023
In Spring 2022, I taught AR505 Special Topics in Art + Design as a Making Comics course in collaboration with 2 faculty from the English Department teaching “Understanding Comics” and “Writing Comics.” Students rotated through our classrooms and studied the 3 aspects of comics, learning theory, creative writing, and comic and zine drawing and making…
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Mastitis
State proofs of an etching with aquatint in progress, intaglio and viscosity printing 2023-2025.
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Cover Illustration, Hex Literary Magazine
I was invited by an editor of Hex Literary Magazine, Joeseph Aguilar, to create options for their Haunted Love issue, February 2023. The editors selected the above design for the cover, and the below design for the creation of stickers for advertising their magazine.
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“How to Make a Tuna Casserole”, Co-authored with Dr. Sandra Cox, Issue #9 of I Don’t Do Comics, 2023
Step,” Issue #9 of I Don’t Do Comics, Juried Online Publication @idontdocomics on Instagram, organized by Allie Brown + Nora de Mariaffi. 2023 https://drive.google.com/file/d/1LXX3tWlFYocQcsidI6cr6VyjRXLz7OB0/view
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Underfoot, Solo Exhibition, West Virginia Wesleyan University
Underfoot, Invitational Solo Exhibition as Orange Barrel Industries (with Blake Sanders), Crystal Brown, Director, Sleeth Gallery, West Virginia Wesleyan College. Buckhannon, WV.
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Two Drained
Hannah March Sanders with Blake Sanders; Crocheted repurposed fabric, screenprint, appliqué and reverse appliqué stitching; 8’x9’’; 2022
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Feature Wall Finalists, Barkley Regional Airport, Paducah, KY
This Fall, Orange Barrel Industries (my collaborative duo with Blake Sanders) was juried as a top three finalist for a permanent art installation commission at the Barkley Regional Airport for their Feature Wall in the new airport terminal under construction 2022-23 in Paducah, KY. We attended a site visit, training, and put together a refined…
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Beyond the Norm, International Juried Exhibition, Normal, IL
I had two of my Sketchbook/Artist Books accepted into Beyond the Norm 2022, International Juried Exhibition celebrating Normal Editions, Juried by Carmon Colangelo, Washington University in St. Louis, Ralph J. Nagel Dean, Sam Fox School; E. Desmond Lee Professor for Collaboration in the Arts, Illinois State University. Normal, IL. Photographs courtesy of University Galleries of Illinois…
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Problem Areas
Screenprint on BFK Rives Paper; 16″ x 20″; 2022 Created for the Mid America Print Council (MAPC) themed portfolio exchange, “Voices of Print, Voices of Power,” curated by Professors Erin Holscher Almazan and Emily Sullivan Smith of the University of Dayton. Dayton, OH
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Squeeze
Collaboration with Blake Sanders; Crocheted Repurposed Fabrics with Appliqué and Machine Embroidery; 2022 25th Anniversary Exhibition, Invitational Group Exhibition as Orange Barrel Industries with 50 other artists significant to LHUCA, Lindsey Maestri, Director, Louise Hopkins Underwood Center for the Arts (LHUCA). Lubbock, TX. https://glasstire.com/events/2022/09/27/lhuca-25th-anniversary-exhibition/
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Freeform Crochet Rag Rug Handout Illustrations
I created a series of digital illustrations for a handout on Freeform Crochet Rag Rugs. Along with Blake Sanders as Orange Barrel Industries, we frequently teach virtual and in person workshops on this topic.
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Bound To, Invitational Solo Exhibition, Lowe Mill, Huntsville, AL
Bound To, Invitational Solo Exhibition as Orange Barrel Industries, Robert Daniel, Gallery Coordinator, Lowe Mill ARTS & Entertainment. Huntsville, AL. More photos coming soon!
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5 Global Print 2022, International Exhibition, Douro Region, Portugal
5 Global Print 2022, Invitational Exhibition curated by Nuno Canelas – Curator/Director of the Douro Biennial and Global Print. Douro Region, Portugal. www.globalprintdouro.com/
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Predisastered Love Paradise, Sketchbook, June 2022-
This sketchbook was bound out of a novel draft by the great Edie Meidav, whom I had the pleasure to meet at a Hambidge Center residency Summer 2022.
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“Kidgloves”, Digital Illustration, 4″x4″ 300dpi, Hand Drawings and Adobe PhotoShop, 2021
“Kidgloves”, Digital Illustration, 4″x4″ 300dpi, Created in Photoshop from Scanned Sketchbook Imagery, 2021
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Catapult Press Visiting Artist Program 2015-2021
From 2015-2021 I coordinated an entrepreneural Letterpress Studio called Catapult Press at Southeast Missouri State University’s Catapult Creative House: A Center for Entrepreneurship. As a part of that, I curated a visiting artist series where artists typically came to present a workshop, demonstration, exhibition, and/or produce a print edition with Catapult Press. 2020 Tammy Harrington,…
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Tied Together
Blackburn College, VAC Gallery, Invitational Solo Exhibition as Orange Barrel Industries (OBI), sourced from membership of the Missouri Fibers Artists Organization (MoFA), invited by Craig Newsom, Chair, Department of Art. Carlinville, IL.
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9th Annual Members Exhibition, Arts Council of Southeast Missouri
My piece was granted 3rd Place in the 9th Annual Members Exhibition, Awards Juried by Jeff Rawson, Creative Director, Rustmedia. Arts Council of Southeast Missouri. Cape Girardeau, MO.
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The Arrow Article: SEMO Art Faculty, Students Collaborate on Shipyard Project by Cynthia Wallman, September 2021
Myself and Blake Sanders were interviewed by Cynthia Wallman, student in the Department of Mass Media and reporter for the Southeast Missouri State University student newspaper The Arrow in September 2021. We were coordinating work with Art + Design department students for Shipyard Music Festival, put on by Rustmedia. For several years, we volunteered as…
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Shipyard Music Festival, Coloring and Activity Book, 2021
Volunteer Illustrator for Shipyard Music Festival Coloring & Activity Book, Rustmedia. Cape Girardeau, MO. 2021. You can read an article published in the SEMO Arrow here, 2021_Wallman-Cynthia_SEMO-Art-Faculty-Students-Collaborate-on-Shipyard-Project_The-Arrow Cover Art (Above), and Center Spread (Below)
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Pre-disastered (Regular Shaped Hot Dogs)
I created this comic with hand drawing and digital drawing in procreate for an online course with Peter Kuper at Harvard, Summer 2021. It draws on my experiences of personal loss at the Pentagon on 9/11 2001. I was very close with my Uncle Wallace Cole Hogan, JR, who died at the point of impact…
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A Confederacy of Penitentiaries
Single page comic created while taking a course with Peter Kuper online at Harvard, Summer 2021. Hand drawing and digital drawing on procreate.
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Work From Home: At Home at Work
Screenprint on BFK Rives Paper, 14″x11″, 2021 Created for the Collaborations and Cohabitations print exchange, curated by Blake Sanders.
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Self Portrait
This screenprint, appliqué, and machine embroidery piece was created as a self portrait and exhibited at The Arts Council of Southeast Missouri at the 9th Annual Members Exhibition at the Arts Council of Southeast Missouri. It was awarded 3rd place in the exhibition by juror Jeff Rawson, who is the Creative Director at Rustmedia in…
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Faux Girardeau
I created this comic with hand drawing for “self portrait” assignment in an online course with Peter Kuper at Harvard, Summer 2021. This comic serves to introduce Cape Girardeau, Missouri as a place most easily known by its negative (for me and many others) associations.
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Heaven
I created this comic with digital drawing as one of my earliest projects done in procreate for an online course with Peter Kuper at Harvard, Summer 2021. The prompt involved picking a song and creating a comic inspired by it. I chose Heaven by The Talking Heads. I created a couple of versions of it…
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Cats Who Definitely Do Not Fucking Paint
Do you all remember that book that came out in 1994 called Cats Who Paint: A Theory of Feline Aesthetics? Well, this was inspired by that as well as cat photos texted to me by a friend during the pandemic lockdown.
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The Right to Free Speech: Vintage Printing Presses in Cape Girardeau Tell History of Written Word, Article in The Best Years
I was featured speaking for Catapult Press at Catapult Creative House, part of Southeast Missouri State University in The Best Years, a publication by Rustmedia. The article, entitled “The Right to Free Speech: Vintage Printing Presses in Cape Girardeau Tell History of the Written Word” was written by Jasmine Jones, with photographs by Aaron Eisenhauer.…
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Open House Trap
This 1-page black and white comic was created during an online summer course at Harvard with Peter Kuper. The assignment called for creating a comic based on our dreams. Created on Procreate for I-Pad with Max Pack Watercolor Brushes.
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No, Curt!
This 1-page black and white comic was created during an online summer course at Harvard with Peter Kuper. The assignment called for a wordless comic (exceptions being a title and our name). Created on Procreate for I-Pad with Max Pack Watercolor Brushes.
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Seeing Stars, Juried Quilt Exhibition at the Arts Council of Southeast Missouri
Two of my quilts were accepted to Seeing Stars, Regional Quilt Exhibition, juried by Rachael Baar, curator for The National Quilt Museum, Paducah, KY. Arts Council of Southeast Missouri. Cape Girardeau, MO. 2021
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Morgantown Billboard Project with Joe Lupo, WVU, Morgantown, WV, 2021
Professor Joe Lupo of West Virginia University rented a local digital billboard in 2021 and curated a national roster of artists to create imagery to, in his words, “take over this commercial space with nonsensical messages.” I was invited to create an image for the month of March, 2021 in a rotation of artists including:…
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Bridges Diversity Showcase, Holland College of Arts & Media, Southeast Missouri State University
Holland College of Arts and Media’s (HCAM) Diversity Committee hosts an event each spring in honor of Black History Month and Women’s History Month. The Departments of Art + Design, Music, and Theater & Dance encourage and assist students in presenting in the showcase. The Department of Art + Design’s efforts are lead by the…
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“Multitasker”, Single Edition Newspaper Curated, Edited and Published by Andrew Kozlowski 2021
This invitational opportunity was printed by printnewspaper.com, 7 January 2021, p. 8, La Courneuve, France.
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Tear/Tare
5.5’x5’x 2.5′, Crocheted Upcycled Fabrics with Scale and Digitally Drawn and Printed Zines; 2020-21 When do you go through your closet postpartum (X2 in my case) and decide what to keep and what to get rid of? How is this impacted by a history of eating disorders and disdain for one’s own physical form? How…
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Virtual Kindergarten
Longstitch-bound Book made from Crayon Box, Red and White Copy Paper, and the Watercolor Paintings of Curt Levee Sanders, my child and virtual Kindergarten Student, Age 5.5; 4.5″ x 3″ x 1″; 2020
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SHE IS, Exhibition Curated by SEMO Student Maria Esswein, May 2020
I was honored to be juried into this exhibition at Catapult Creative House, Southeast Missouri State University (SEMO) by BFA sculpture-emphasis student Maria Esswein in Spring of 2020. The exhibition called for works by anyone who identified as female, with works being created on the theme of the experience of being a woman.
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Puertográfico, Southern Graphics Council International Ad Hoc Committee for Community Exchange
Along with Joseph Velasquez, professor of art at Florida Atlantic University and chair of the SGCI Ad Hoc Committee on Community Exchange, Blake Sanders and Hannah March Sanders worked to donate a Takach Manufacturing Corporation 2648 Floor Model Lithography Press to the University of Puerto Rico Rio Piedras (UPRRP) printshop in 2020. We raised nearly…
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Prayer Flags for Puerto, Rico Print Exchange Exhibition
Prayer Flags for Puerto Rico, Exhibition and Flag Exchange, Organized by Beauvais Lyons, Professor UT Knoxville, for the Southern Graphics Council Conference International in San Juan, Puerto Rico. 2020 Conference was postponed due to Covid-19, but the exhibition still occurred.
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Volunteer Illustrator for “Wednesday Words”, Weekly Quote Illustrations for The Scout, 2020
scout-story The Scout Email Newsletter, 27 Feb 2020 PDF
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The Book of Errors
Coptic-bound hardcover book comprised of repurposed hand-pulled prints (woodcut, linocut, screenprint, lithograph), graphite, watercolor, pen, colored pencil, collage, and mixed media; 11″ x 8″ x 4.5″; 2019-2020.
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Leaf Peeping, Sketchbook 2020
Coptic-bound Hard Cover Book with Quilted Cover Comprised of Repurposed Hand-Pulled Prints on Letterpress; graphite, watercolor, pen, ink, collage, and mixed media; 11″ x 9″ x 1.5″; 2020
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Calleigh Ainsworth, Screenprints on Paper installed onto car windshields, 9″x3″ each, AR303 Screenprinting, Fall 2019
Calleigh redesigned the campus parking tickets to express her displeasure at folks who park terribly on campus in an inventive visual intervention.
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Volunteer Illustrator for Shipyard Music Festival Coloring & Activity Book, Rustmedia. Cape Girardeau, MO. 2019
Volunteer Illustrator for Shipyard Music Festival Coloring & Activity Book, Rustmedia. Cape Girardeau, MO. 2019
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Illustrations for Flourish Magazine
I was commissioned to create a full-body illustration of Chef Matt Wessel of Top of the Marq along with drawings of several ingredients for one of his recipes for Flourish Magazine, Rustmedia, Cape Girardeau, MO.
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Lawrence Print Week
We were invited to present an exhibition at Lawrence Print Week Fall 2019 in Lawrence, KS. The show consisted of protest flags and banners made by regional Southeast Missouri activists from relief and screenprint components printed on repurposed fabrics. The pieces contributed come from local artists/activists participating in a print and fibers workshop taught by…
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Encountering Our Indelible Mark, International Exhibition as Part of IMPACT10: Encuentro Conference
I was a participant and collaborator on Encountering Our Indelible Mark, an exhibition Blake Sanders organized featuring about a dozen artists from around the world, was a part of the IMPACT10: Encuentro conference in Santander, Spain. The show highlights the unintended consequences of human behavior and activities, particularly on the environment. The exhibition roster includes…
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Sticks and Stones, Invitational Group Exhibition at Macon Arts
Sticks and Stones, Invitational Group Exhibition with Meg Hogan Campbell and Blake Sanders, Invited by Director Megan McNaught, Macon Arts. Macon, GA. 2019
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(W)rest
Collaboration with Blake Sanders; Crocheted repurposed fabric, woodcut on fabrics, appliqué and reverse appliqué stitching, and snaps; 2019
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Quiltbait V: You’ll Be Shocked to See What This Quilt Looks Like in Real Life
Quilted Repurposed Fabrics with Appliqué, Screenprint, and Machine Embroidery; 21″ x 19″ x 0.25″; 2018-2019
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Autofill
Viscosity Collagraphs Printed from Bra Inserts and Screenprinted Autofill Email Responses on Paper with Appliqué, Machine Stitching, and Mixed Media; Approx. 74″ x 39″ x 14″ ; 2019
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Women’s ABC Book
Coptic Bound book with a hand quilted and needle-felted cover, screenprint, colored pencil, pen, ink, watercolor, and mixed media on cotton rag paper; approx. 12″x13″x2″; 2019
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Ashlyn Kinman, Untitled; Hand Embroidery and Reverse Appliqué on Slip; Approx. 30” x 15” x 0.25”; AR-330 Fibers I; Hand Embroidery and Reverse Appliqué on Slip; Approx. 30” x 15” x 0.25”; Fall 2018
Embroidery Project, Theme: Memory. This Student Reached Out on Twitter to Rape/Sexual Abuse Victims who had already spoken out on Twitter for Voluntary Contributions for This Piece.
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International Faulkner Biennial Conference, Center for Faulkner Studies & Catapult Press, Catapult Creative House, Southeast Missouri State University, Fall 2019
Every other Fall, The Center for Faulkner Studies (CFS) and the Department of English at Southeast Missouri State University (SEMO) hosted the Biennial Faulkner Conference, an international event which paired Faulkner with another author annually as the subject of conference presentations. Catapult Press hosted an event for two of these conferences, in 2019 it was…
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Various, Tennessee Governor’s School for the Arts, Sketchbook Bootcamp Class, Middle Tennessee State University, Summer 2018
Post featured image by Reyan. With Blake Sanders as Orange Barrel Industries, I led a class of high school students from the region around Middle Tennessee State University through a course called “Sketchbook Bootcamp.” Students hand bound books and filled them with drawings based on a variety of prompts we designed during a period of…
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Jessica Lambert, Stone Lithograph on Thai Kozo Paper, 11″x15″, AR502 Lithography, Spring 2018
State Change/Photocopy Transfer and/or Maniére Noire Project (State 1 Pictured), Theme: Inspired by the artist Miranda July’s Project, Assignment #67, “Repair Something”, found athttp://learningtoloveyoumore.com/
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“Zine Swap 2018!”, Curated by Sage Perrott (Haypeep), Zine Exchange, Utah State University, Logan, UT
April 23rd- April 27: Entire collection on display, “Zine Swap!”, Projects Gallery, Utah State University, Logan UT. It was also exhibited at the Mid America Print Council (MAPC) Conference in Wyoming 2018. The zine I created for this exchange was called “Storage Almost Full.” I also coordinated my printmaking class to participate in the exchange…
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KCAI Road Roller, Visiting Artists at Kansas City Art Institute, 2018, Kansas City, MO
In 2018, I was a Visiting Artist along with Blake Sanders as Orange Barrel Industries at the Kansas City Art Institute (KCAI) in Kansas City, MO. It was a 1-Week Residency and included participation in the annual Road Roller Steamroller Large Format Printing Event. During our time at KCAI, we presented the following activities:
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Letdown
Woodcut Prints on Up-cycled Fabrics with Appliqué, Machine and Hand Stitching, Slashing, Poly-Fil, Nylon Stockings, Needle Felted Wool, Metal Brace, and Plastic Grocery Bags; 27″ x 52″ x 12”; 2018
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There in Spirit
Screenprint on Paper; 11″ x 14″; 2018 Created for the “Lonesome No More” Kurt Vonnegut Print Exchange, curated by Jolynn Reigeluth, which will be exhibited at the Kurt Vonnegut Museum and Library in Downtown Indianapolis
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Refuse
Hannah March Sanders with Blake Sanders; Crocheted repurposed fabric, appliqué and reverse appliqué, machine stitching, and snaps; 2018
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Zi “Freya” Zhu; “The Emotion”; AR 501 Intaglio Printmaking; ; Copper Line Etching Print a la Poupée on Paper; 15” x 11”; Spring 2017
Alternative Processes Project Utilizing Chine-Collé, a la Poupée, Soft Ground and/or Mixed Media, Theme:Documentation and Memory Using WNYC’s Bored and Brilliant Challenge, “Photo-Free Day” from http://www.wnyc.org/story/challenge-2-photo-free-day/
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Interview in Happily Hooked Crochet Magazine
An Artist Profile interview with me by Kathryn Vercillo was featured in Happily Hooked Magazine for my collaborative work with crochet in 2017.
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Gumbo, Collaborative Papermaking and Artist Book with International Artist Collaborative Expanded Draught
Gumbo is a collaborative book made by members of the international artist collective Expanded Draught. Fiber materials were sent to St. Louis artist Megan Singleton, who handmade paper from the collected fibers and returned it to the artists. Artists worked on the paper, returning it to St. Louis where Singleton bound a book and presented…
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Quiltbait IV: You Won’t Believe What’s Embroidered on This Quilt
Quilted Repurposed Fabrics with Appliqué, Screenprint, and Machine Embroidery; 15” x 14” x 0.25”; 2017
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Quiltbait III: Now with More-a-lago
Quilted Repurposed Fabrics with Screenprinting, Appliqué, Reverse Appliqué, Hand Sewing and Machine Stitching; 12” x 12” x 0.5”; 2017
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Quiltbait II: The 17 Hottest Ice Floes This Summer
Quilted Repurposed Fabrics with Appliqué, Machine and Hand Stitching, and Plastic Polar Bear Toy; 20.5” x 24” x 3.75”; 2017
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Quiltbait I: Cul-de-sac
Quilted Repurposed Fabrics with Screenprinting, Appliqué, and Machine Stitching; 16” x 31”; 2017
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Don’t You Dare Ever Get Lost
Screenprint on Fabrics with Appliqué and Machine Embroidery; 22” x 15”; 2016-17
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Bleach and Whitewash
Crocheted Repurposed Fabrics with Bleach, Acrylic Fabric Ink, and Gesso; 11’ x 4’ x 3’, 0.5” thick; 2017
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Spill
Collaboration with Blake Sanders; Crocheted repurposed fabric, appliqué and reverse appliqué stitching, and snaps; 2017
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Wean
Collaboration with Blake Sanders as Orange Barrel Industries; Crocheted Re-purposed Fabrics with Machine Stitching, Reverse Appliqué, and Snaps Site Specific Installation; Approx. 10’ x 6’ x 4’; 2017
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Dystopian Playmat
Interactive Installation Created From Machine Quilted Repurposed Fabrics with Screenprint, Appliqué, Felt, and Toy Cars; approx. 6’x7′, 2016
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Postnatal Hair Ghost
Reduction Linocut Printed on the Letterpress with Screenprint on Paper; 11” x 14” paper, 8” x 10” image; 2016
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Footprint No. 20
Crocheted Re-purposed Fabrics, Woodcut Print on Fabrics, and Plastic Grocery Bags, Site Specific Installation; 9’ x 20’ x 3’ x 0.5”; 2016
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Skintag Hair Ghost
Reduction Linocut Printed on the Letterpress with Screenprint on Paper; 9.5” x 12.5”; 2016
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30 Years of LSU Printmaking, Ogden Museum of Southern Art, New Orleans, LA 2015
My works were included in the exhibition 30 Years of LSU Printmaking at the Ogden Museum of Southern Art in downtown New Orleans, LA in 2012. The exhibition was comprised of Louisiana State University (LSU) student prints ranging from 1980 to 2010 and was unveiled during the Southern Graphics Council International Conference held in New…
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Terry Davis, Charcoal on Newsprint Paper, 24″x18″, AR202 Drawing II, Spring 2015
Short gesture drawing from Drawing II at Southeast Missouri State University, a course focused on figure drawing. Davis used charcoal to complete this study in a 10 minute time window.
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They Should Serve Fries Here
Woodcut and Screenprint on Fabrics with Machine Embroidery, Lace, and Appliqué; Approx. 5’ x 7’; 2014
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Tributary Tug-O-War
Collaboration with Blake Sanders as Orange Barrel Industries, Repurposed fabrics, plastic grocery bags, sewing, crochet, yarn, screen print on MDF, spray paint, charcoal and gesso on MDF, full gallery installation, 2012-13. This installation was created for an exhibition we put together in a downtown gallery in Beresford, SD during Frogman’s Print and Paper Workshops, which…
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Flocking to the Pump, No. iv
Graphite, Pen & Ink, acrylic paint and Watercolor on Paper, 10” x 11”, 2013
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Heatstroke
Screen Print on Paper, 15” x 11”, 2012 This print was created in a workshop I took summer of 2012 with Professor Melissa Harshman of University of Georgia in Athens, GA. The workshop took place at Frogman’s Print Workshops, which was at that time held at the University of South Dakota in Vermillion, SD. Harshman…
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Boston Printmakers 2011 Biennial, Juried by Jim Dine, Boston, MA
Die Verwandlung, Woodcut Monoprint on Paper, 6’ x 4’, 2010 This print was accepted to the Boston Printmakers 2011 North American Print Biennial, which was juried by Jim Dine in Boston, MA.
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“Blessed Unions,” Wedding Performance Ceremony, Panel Discussion, and Curated Exhibition, St. Louis, MO, SGCI, 2011
I was married to Blake Sanders (as Orange Barrel Industries) in a series of official 2011 Southern Graphics Council Conference International events entitled Blessed Unions in Saint Louis, Missouri. Blessed Unions was comprised of three days of functions including an exhibition at Fort Gondo Compound for the Arts, a panel discussion on making printmaking partnerships…
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Mothership: Georgian Safehouse
Reduction Linoleum Cut on Paper, Printed on the Letterpress; 8” x 20” x 2”; 2010
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BP Executive Tony Hayward’s Oil Spluge
Reduction Linoleum Cut on Paper, Printed on the Letterpress; 8” x 20” x 2”; 2010
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Field Guide Vol. VI: Homing
Details from: Case-Bound Book with Drawings and Watercolor on Paper; 8” x 20” x 2”; 2010
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Flag for Mollusca cephalopda coleoidea infatuare
Silkscreen on Paper; 15” x 15”; 2009 Created for the Black Flag on the Moon, Portfolio Exchange, curated by Joe Loccisano in the Department of Art, Design, Humanities as Gallery Director and Instructor at State College of Florida (SCF).
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Field Guide, Vol. II: Battle of the Belugas
Battle of the Belugas: And They Awoke One by One; Etching with Aquatint on Paper; 11″x15″; 2009 Storyboard Sketches for ‘Field Guide, Vol. II: Battle of the Belugas’; Etchings with Aquatint on Paper; 11 units each 11” x 15” or 15” x 11”; Installation Variable; 2009
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Concert Posters for Nuçi’s Space in Athens, GA
I was a volunteer poster designer for Nuçi’s Space in Athens, Georgia in 2007-2008. Nuçi’s Space is a nonprofit with a mission of suicide prevention, and they provide many resources to musicians and other creatives. Some bands for whom I designed posters included Drive by Truckers, Stab the Cook, Gus D, Here Lies Cyndell, It’s…
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Rack
Rack, book made of wax, wire, faux fur, etching and drypoint on paper, 6.5″X7″X3.5″, Juried into and granted the Juror’s Discretionary Award by Juror Peter Frank, Los Angeles Printmaking Society’s 20th National Biennial. Los Angeles, CA, 2007
