Category: Printmaking
-
Come Hell or Crashing at Your Place
Screenprint on Paper, 22″x15″, 2024 This print was created for the Waterline: 30 Years of Newcomb Art Printmaking exchange curated by Professor Teresa Cole of Tulane University. The Waterline exchange will be exhibited alongside three decades of printmaking class print exchanges that Professor Cole has elicited from students over the course of her career teaching…
-
This Email Finds You
This print was created for SGCI 2024: Without Margins, an invitational printmaking exchange portfolio curated by Kyle Chaput of Baylor University in Waco, TX and Humberto Saenz of the University of Texas at San Antoni, TX. It will be exhibited in the following locations over 2024-2025, beginning with its presentation at the Southern Graphics Council…
-
Two Drained
Hannah March Sanders with Blake Sanders; Crocheted repurposed fabric, screenprint, appliqué and reverse appliqué stitching; 8’x9’’; 2022
-
Problem Areas
Screenprint on BFK Rives Paper; 16″ x 20″; 2022 Created for the Mid America Print Council (MAPC) themed portfolio exchange, “Voices of Print, Voices of Power,” curated by Professors Erin Holscher Almazan and Emily Sullivan Smith of the University of Dayton. Dayton, OH
-
Work From Home: At Home at Work
Screenprint on BFK Rives Paper, 14″x11″, 2021 Created for the Collaborations and Cohabitations print exchange, curated by Blake Sanders.
-
Self Portrait
This screenprint, appliqué, and machine embroidery piece was created as a self portrait and exhibited at The Arts Council of Southeast Missouri at the 9th Annual Members Exhibition at the Arts Council of Southeast Missouri. It was awarded 3rd place in the exhibition by juror Jeff Rawson, who is the Creative Director at Rustmedia in…
-
Quiltbait V: You’ll Be Shocked to See What This Quilt Looks Like in Real Life
Quilted Repurposed Fabrics with Appliqué, Screenprint, and Machine Embroidery; 21″ x 19″ x 0.25″; 2018-2019
-
Autofill
Viscosity Collagraphs Printed from Bra Inserts and Screenprinted Autofill Email Responses on Paper with Appliqué, Machine Stitching, and Mixed Media; Approx. 74″ x 39″ x 14″ ; 2019
-
Women’s ABC Book
Coptic Bound book with a hand quilted and needle-felted cover, screenprint, colored pencil, pen, ink, watercolor, and mixed media on cotton rag paper; approx. 12″x13″x2″; 2019
-
“Zine Swap 2018!”, Curated by Sage Perrott (Haypeep), Zine Exchange, Utah State University, Logan, UT
April 23rd- April 27: Entire collection on display, “Zine Swap!”, Projects Gallery, Utah State University, Logan UT. It was also exhibited at the Mid America Print Council (MAPC) Conference in Wyoming 2018. The zine I created for this exchange was called “Storage Almost Full.” I also coordinated my printmaking class to participate in the exchange…
-
Letdown
Woodcut Prints on Up-cycled Fabrics with Appliqué, Machine and Hand Stitching, Slashing, Poly-Fil, Nylon Stockings, Needle Felted Wool, Metal Brace, and Plastic Grocery Bags; 27″ x 52″ x 12”; 2018
-
There in Spirit
Screenprint on Paper; 11″ x 14″; 2018 Created for the “Lonesome No More” Kurt Vonnegut Print Exchange, curated by Jolynn Reigeluth, which will be exhibited at the Kurt Vonnegut Museum and Library in Downtown Indianapolis
-
Quiltbait IV: You Won’t Believe What’s Embroidered on This Quilt
Quilted Repurposed Fabrics with Appliqué, Screenprint, and Machine Embroidery; 15” x 14” x 0.25”; 2017
-
Quiltbait II: The 17 Hottest Ice Floes This Summer
Quilted Repurposed Fabrics with Appliqué, Machine and Hand Stitching, and Plastic Polar Bear Toy; 20.5” x 24” x 3.75”; 2017
-
Quiltbait I: Cul-de-sac
Quilted Repurposed Fabrics with Screenprinting, Appliqué, and Machine Stitching; 16” x 31”; 2017
-
Don’t You Dare Ever Get Lost
Screenprint on Fabrics with Appliqué and Machine Embroidery; 22” x 15”; 2016-17
-
Dystopian Playmat
Interactive Installation Created From Machine Quilted Repurposed Fabrics with Screenprint, Appliqué, Felt, and Toy Cars; approx. 6’x7′, 2016
-
Postnatal Hair Ghost
Reduction Linocut Printed on the Letterpress with Screenprint on Paper; 11” x 14” paper, 8” x 10” image; 2016
-
Skintag Hair Ghost
Reduction Linocut Printed on the Letterpress with Screenprint on Paper; 9.5” x 12.5”; 2016
-
They Should Serve Fries Here
Woodcut and Screenprint on Fabrics with Machine Embroidery, Lace, and Appliqué; Approx. 5’ x 7’; 2014
-
Boston Printmakers 2011 Biennial, Juried by Jim Dine, Boston, MA
Die Verwandlung, Woodcut Monoprint on Paper, 6’ x 4’, 2010 This print was accepted to the Boston Printmakers 2011 North American Print Biennial, which was juried by Jim Dine in Boston, MA.
-
Mothership: Georgian Safehouse
Reduction Linoleum Cut on Paper, Printed on the Letterpress; 8” x 20” x 2”; 2010
-
BP Executive Tony Hayward’s Oil Spluge
Reduction Linoleum Cut on Paper, Printed on the Letterpress; 8” x 20” x 2”; 2010
-
Flag for Mollusca cephalopda coleoidea infatuare
Silkscreen on Paper; 15” x 15”; 2009 Created for the Black Flag on the Moon, Portfolio Exchange, curated by Joe Loccisano in the Department of Art, Design, Humanities as Gallery Director and Instructor at State College of Florida (SCF).
-
Field Guide, Vol. II: Battle of the Belugas
Battle of the Belugas: And They Awoke One by One; Etching with Aquatint on Paper; 11″x15″; 2009 Storyboard Sketches for ‘Field Guide, Vol. II: Battle of the Belugas’; Etchings with Aquatint on Paper; 11 units each 11” x 15” or 15” x 11”; Installation Variable; 2009
-
Rack
Rack, book made of wax, wire, faux fur, etching and drypoint on paper, 6.5″X7″X3.5″, Juried into and granted the Juror’s Discretionary Award by Juror Peter Frank, Los Angeles Printmaking Society’s 20th National Biennial. Los Angeles, CA, 2007
