Category: Professional Work
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Queer, Sketchbook Sept-Oct 2024
“Queerly Loved” is the theme of this sketchbook artist book from September to October of 2024. I hand bind my sketchbooks, usually in this long stitch binding style I learned from Keith A. Smith’s Nonadhesive Binding Vol. I: Binding Without Paste or Glue. The outside of the cover was created from hand screenprinted fabric and…
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Gems to Watch Out for, Sketchbook Jul-Sept 2024
Artist book/sketchbook from July through September 2024. This is a hand bound long stitch book made from an old cereal box, book binding cord, and hand printed fabrics for the cover. The fabrics are relief wood block prints and screenprints appliqué stitched together using a sewing machine. The interior of the book is created from…
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Come Hell or Crashing at Your Place
Screenprint on Paper, 22″x15″, 2024 This print was created for the Waterline: 30 Years of Newcomb Art Printmaking exchange curated by Professor Teresa Cole of Tulane University. The Waterline exchange will be exhibited alongside three decades of printmaking class print exchanges that Professor Cole has elicited from students over the course of her career teaching…
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Diary Comics
A selection of diary comics 2023-2024 As Per My Last Email Is It Just Like You Thought Work in Progress Transactional Therapy
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Undone
Blake Sanders and Hannah March Sanders; Crocheted Repurposed Fabrics, Screenprint on Fabric with Appliqué and Reverse Appliqué; 2024
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Dogleg
Crocheted repurposed fabrics, 9’x7’x0.25″, 2024 Created for a solo exhibition as Orange Barrel Industries entitled Undone for the Museum of Arts and Sciences (MAS) in Macon, GA, Summer-Fall 2024.
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Upsides Drown, Sketchbook, Jun-Jul 2024
Coptic bound book with found fabric cover. The cotton fabric was given to me by a friend in 2020 for sewing masks out of due to the sudden need for masks, which of course were very limited in availability, due to the Covid-19 Pandemic. I did sew many cloth masks for myself and my family,…
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Spooked Velvet, Sketchbook, May-Jun 2024
This handmade sketchbook/artist book is bound from the skin of an ice cream birthday party balloon over a cereal box. Inside are 22″x30″ oil paintings, etchings, and various other prints and drawings on BFK Rives cotton rag and found papers. 11″x17″ when open.
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N1, Artist Book
Coptic Bound Book of Letterpress, Relief, and Screenprints with Needle Felted Covers and Metal Rings, 8″x6″x2″, 2024
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This Email Finds You
This print was created for SGCI 2024: Without Margins, an invitational printmaking exchange portfolio curated by Kyle Chaput of Baylor University in Waco, TX and Humberto Saenz of the University of Texas at San Antoni, TX. It will be exhibited in the following locations over 2024-2025, beginning with its presentation at the Southern Graphics Council…
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Anxious Anatomies
Illustrations made just for fun using anatomical drawings in the book Atlas of Human Anatomy and Surgery: The Complete Plates, a Taschen publication from Bibliotheca Universalis, Bourgery & Jacob. These illustrations were digitally drawn in Procreate.
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Everything but Earth, Sketchbook, Apr-Sept 2023
Starting around 2019, I began giving themes to all of my hand-bound sketchbook/artist books. The theme for this tome, Everything but Earth, comes from a conversation with comic artist, printmaker, and publisher (Paper City Publishing) Andrew Kozlowski. We talked about my experiences with hurricanes, burns, floods, etc. and he remarked that I’ve been hit with…
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Quiltbait VI: idk
(Felt Quilt, Might Delete Later), Repurposed Quilted Fabrics with Machine Embroidery, 15″x15″x0.25″, 2023
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Flourish Magazine, Fall 2023: Lineage Issue
This illustration was purchased to go with an interview of me by Flourish Magazine Editor, Mia Pohlman for the Lineage issue, published August 15, 2023 in print and on their website as “Artist Spotlight: Hannah March Sanders”
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Cover Illustration, Hex Literary Magazine
I was invited by an editor of Hex Literary Magazine, Joeseph Aguilar, to create options for their Haunted Love issue, February 2023. The editors selected the above design for the cover, and the below design for the creation of stickers for advertising their magazine.
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“How to Make a Tuna Casserole”, Co-authored with Dr. Sandra Cox, Issue #9 of I Don’t Do Comics, 2023
Step,” Issue #9 of I Don’t Do Comics, Juried Online Publication @idontdocomics on Instagram, organized by Allie Brown + Nora de Mariaffi. 2023 https://drive.google.com/file/d/1LXX3tWlFYocQcsidI6cr6VyjRXLz7OB0/view
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Two Drained
Hannah March Sanders with Blake Sanders; Crocheted repurposed fabric, screenprint, appliqué and reverse appliqué stitching; 8’x9’’; 2022
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Problem Areas
Screenprint on BFK Rives Paper; 16″ x 20″; 2022 Created for the Mid America Print Council (MAPC) themed portfolio exchange, “Voices of Print, Voices of Power,” curated by Professors Erin Holscher Almazan and Emily Sullivan Smith of the University of Dayton. Dayton, OH
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Squeeze
Collaboration with Blake Sanders; Crocheted Repurposed Fabrics with Appliqué and Machine Embroidery; 2022 25th Anniversary Exhibition, Invitational Group Exhibition as Orange Barrel Industries with 50 other artists significant to LHUCA, Lindsey Maestri, Director, Louise Hopkins Underwood Center for the Arts (LHUCA). Lubbock, TX. https://glasstire.com/events/2022/09/27/lhuca-25th-anniversary-exhibition/
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Freeform Crochet Rag Rug Handout Illustrations
I created a series of digital illustrations for a handout on Freeform Crochet Rag Rugs. Along with Blake Sanders as Orange Barrel Industries, we frequently teach virtual and in person workshops on this topic.
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Predisastered Love Paradise, Sketchbook, June 2022-
This sketchbook was bound out of a novel draft by the great Edie Meidav, whom I had the pleasure to meet at a Hambidge Center residency Summer 2022.
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“Kidgloves”, Digital Illustration, 4″x4″ 300dpi, Hand Drawings and Adobe PhotoShop, 2021
“Kidgloves”, Digital Illustration, 4″x4″ 300dpi, Created in Photoshop from Scanned Sketchbook Imagery, 2021
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Shipyard Music Festival, Coloring and Activity Book, 2021
Volunteer Illustrator for Shipyard Music Festival Coloring & Activity Book, Rustmedia. Cape Girardeau, MO. 2021. You can read an article published in the SEMO Arrow here, 2021_Wallman-Cynthia_SEMO-Art-Faculty-Students-Collaborate-on-Shipyard-Project_The-Arrow Cover Art (Above), and Center Spread (Below)
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Pre-disastered (Regular Shaped Hot Dogs)
I created this comic with hand drawing and digital drawing in procreate for an online course with Peter Kuper at Harvard, Summer 2021. It draws on my experiences of personal loss at the Pentagon on 9/11 2001. I was very close with my Uncle Wallace Cole Hogan, JR, who died at the point of impact…
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A Confederacy of Penitentiaries
Single page comic created while taking a course with Peter Kuper online at Harvard, Summer 2021. Hand drawing and digital drawing on procreate.
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Work From Home: At Home at Work
Screenprint on BFK Rives Paper, 14″x11″, 2021 Created for the Collaborations and Cohabitations print exchange, curated by Blake Sanders.
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Self Portrait
This screenprint, appliqué, and machine embroidery piece was created as a self portrait and exhibited at The Arts Council of Southeast Missouri at the 9th Annual Members Exhibition at the Arts Council of Southeast Missouri. It was awarded 3rd place in the exhibition by juror Jeff Rawson, who is the Creative Director at Rustmedia in…
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Faux Girardeau
I created this comic with hand drawing for “self portrait” assignment in an online course with Peter Kuper at Harvard, Summer 2021. This comic serves to introduce Cape Girardeau, Missouri as a place most easily known by its negative (for me and many others) associations.
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Heaven
I created this comic with digital drawing as one of my earliest projects done in procreate for an online course with Peter Kuper at Harvard, Summer 2021. The prompt involved picking a song and creating a comic inspired by it. I chose Heaven by The Talking Heads. I created a couple of versions of it…
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Cats Who Definitely Do Not Fucking Paint
Do you all remember that book that came out in 1994 called Cats Who Paint: A Theory of Feline Aesthetics? Well, this was inspired by that as well as cat photos texted to me by a friend during the pandemic lockdown.
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Open House Trap
This 1-page black and white comic was created during an online summer course at Harvard with Peter Kuper. The assignment called for creating a comic based on our dreams. Created on Procreate for I-Pad with Max Pack Watercolor Brushes.
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No, Curt!
This 1-page black and white comic was created during an online summer course at Harvard with Peter Kuper. The assignment called for a wordless comic (exceptions being a title and our name). Created on Procreate for I-Pad with Max Pack Watercolor Brushes.
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Morgantown Billboard Project with Joe Lupo, WVU, Morgantown, WV, 2021
Professor Joe Lupo of West Virginia University rented a local digital billboard in 2021 and curated a national roster of artists to create imagery to, in his words, “take over this commercial space with nonsensical messages.” I was invited to create an image for the month of March, 2021 in a rotation of artists including:…
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“Multitasker”, Single Edition Newspaper Curated, Edited and Published by Andrew Kozlowski 2021
This invitational opportunity was printed by printnewspaper.com, 7 January 2021, p. 8, La Courneuve, France.
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Tear/Tare
5.5’x5’x 2.5′, Crocheted Upcycled Fabrics with Scale and Digitally Drawn and Printed Zines; 2020-21 When do you go through your closet postpartum (X2 in my case) and decide what to keep and what to get rid of? How is this impacted by a history of eating disorders and disdain for one’s own physical form? How…
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Virtual Kindergarten
Longstitch-bound Book made from Crayon Box, Red and White Copy Paper, and the Watercolor Paintings of Curt Levee Sanders, my child and virtual Kindergarten Student, Age 5.5; 4.5″ x 3″ x 1″; 2020
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Volunteer Illustrator for “Wednesday Words”, Weekly Quote Illustrations for The Scout, 2020
scout-story The Scout Email Newsletter, 27 Feb 2020 PDF
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The Book of Errors
Coptic-bound hardcover book comprised of repurposed hand-pulled prints (woodcut, linocut, screenprint, lithograph), graphite, watercolor, pen, colored pencil, collage, and mixed media; 11″ x 8″ x 4.5″; 2019-2020.
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Leaf Peeping, Sketchbook 2020
Coptic-bound Hard Cover Book with Quilted Cover Comprised of Repurposed Hand-Pulled Prints on Letterpress; graphite, watercolor, pen, ink, collage, and mixed media; 11″ x 9″ x 1.5″; 2020
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Volunteer Illustrator for Shipyard Music Festival Coloring & Activity Book, Rustmedia. Cape Girardeau, MO. 2019
Volunteer Illustrator for Shipyard Music Festival Coloring & Activity Book, Rustmedia. Cape Girardeau, MO. 2019
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Illustrations for Flourish Magazine
I was commissioned to create a full-body illustration of Chef Matt Wessel of Top of the Marq along with drawings of several ingredients for one of his recipes for Flourish Magazine, Rustmedia, Cape Girardeau, MO.
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(W)rest
Collaboration with Blake Sanders; Crocheted repurposed fabric, woodcut on fabrics, appliqué and reverse appliqué stitching, and snaps; 2019
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Quiltbait V: You’ll Be Shocked to See What This Quilt Looks Like in Real Life
Quilted Repurposed Fabrics with Appliqué, Screenprint, and Machine Embroidery; 21″ x 19″ x 0.25″; 2018-2019
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Autofill
Viscosity Collagraphs Printed from Bra Inserts and Screenprinted Autofill Email Responses on Paper with Appliqué, Machine Stitching, and Mixed Media; Approx. 74″ x 39″ x 14″ ; 2019
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Women’s ABC Book
Coptic Bound book with a hand quilted and needle-felted cover, screenprint, colored pencil, pen, ink, watercolor, and mixed media on cotton rag paper; approx. 12″x13″x2″; 2019
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“Zine Swap 2018!”, Curated by Sage Perrott (Haypeep), Zine Exchange, Utah State University, Logan, UT
April 23rd- April 27: Entire collection on display, “Zine Swap!”, Projects Gallery, Utah State University, Logan UT. It was also exhibited at the Mid America Print Council (MAPC) Conference in Wyoming 2018. The zine I created for this exchange was called “Storage Almost Full.” I also coordinated my printmaking class to participate in the exchange…
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Letdown
Woodcut Prints on Up-cycled Fabrics with Appliqué, Machine and Hand Stitching, Slashing, Poly-Fil, Nylon Stockings, Needle Felted Wool, Metal Brace, and Plastic Grocery Bags; 27″ x 52″ x 12”; 2018
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There in Spirit
Screenprint on Paper; 11″ x 14″; 2018 Created for the “Lonesome No More” Kurt Vonnegut Print Exchange, curated by Jolynn Reigeluth, which will be exhibited at the Kurt Vonnegut Museum and Library in Downtown Indianapolis
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Refuse
Hannah March Sanders with Blake Sanders; Crocheted repurposed fabric, appliqué and reverse appliqué, machine stitching, and snaps; 2018
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Quiltbait IV: You Won’t Believe What’s Embroidered on This Quilt
Quilted Repurposed Fabrics with Appliqué, Screenprint, and Machine Embroidery; 15” x 14” x 0.25”; 2017
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Quiltbait III: Now with More-a-lago
Quilted Repurposed Fabrics with Screenprinting, Appliqué, Reverse Appliqué, Hand Sewing and Machine Stitching; 12” x 12” x 0.5”; 2017
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Quiltbait II: The 17 Hottest Ice Floes This Summer
Quilted Repurposed Fabrics with Appliqué, Machine and Hand Stitching, and Plastic Polar Bear Toy; 20.5” x 24” x 3.75”; 2017
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Quiltbait I: Cul-de-sac
Quilted Repurposed Fabrics with Screenprinting, Appliqué, and Machine Stitching; 16” x 31”; 2017
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Don’t You Dare Ever Get Lost
Screenprint on Fabrics with Appliqué and Machine Embroidery; 22” x 15”; 2016-17
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Bleach and Whitewash
Crocheted Repurposed Fabrics with Bleach, Acrylic Fabric Ink, and Gesso; 11’ x 4’ x 3’, 0.5” thick; 2017
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Spill
Collaboration with Blake Sanders; Crocheted repurposed fabric, appliqué and reverse appliqué stitching, and snaps; 2017
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Wean
Collaboration with Blake Sanders as Orange Barrel Industries; Crocheted Re-purposed Fabrics with Machine Stitching, Reverse Appliqué, and Snaps Site Specific Installation; Approx. 10’ x 6’ x 4’; 2017
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Dystopian Playmat
Interactive Installation Created From Machine Quilted Repurposed Fabrics with Screenprint, Appliqué, Felt, and Toy Cars; approx. 6’x7′, 2016
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Postnatal Hair Ghost
Reduction Linocut Printed on the Letterpress with Screenprint on Paper; 11” x 14” paper, 8” x 10” image; 2016
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Footprint No. 20
Crocheted Re-purposed Fabrics, Woodcut Print on Fabrics, and Plastic Grocery Bags, Site Specific Installation; 9’ x 20’ x 3’ x 0.5”; 2016
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Skintag Hair Ghost
Reduction Linocut Printed on the Letterpress with Screenprint on Paper; 9.5” x 12.5”; 2016
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They Should Serve Fries Here
Woodcut and Screenprint on Fabrics with Machine Embroidery, Lace, and Appliqué; Approx. 5’ x 7’; 2014
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Tributary Tug-O-War
Collaboration with Blake Sanders as Orange Barrel Industries, Repurposed fabrics, plastic grocery bags, sewing, crochet, yarn, screen print on MDF, spray paint, charcoal and gesso on MDF, full gallery installation, 2012-13. This installation was created for an exhibition we put together in a downtown gallery in Beresford, SD during Frogman’s Print and Paper Workshops, which…
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Flocking to the Pump, No. iv
Graphite, Pen & Ink, acrylic paint and Watercolor on Paper, 10” x 11”, 2013
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Heatstroke
Screen Print on Paper, 15” x 11”, 2012 This print was created in a workshop I took summer of 2012 with Professor Melissa Harshman of University of Georgia in Athens, GA. The workshop took place at Frogman’s Print Workshops, which was at that time held at the University of South Dakota in Vermillion, SD. Harshman…
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Boston Printmakers 2011 Biennial, Juried by Jim Dine, Boston, MA
Die Verwandlung, Woodcut Monoprint on Paper, 6’ x 4’, 2010 This print was accepted to the Boston Printmakers 2011 North American Print Biennial, which was juried by Jim Dine in Boston, MA.
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Mothership: Georgian Safehouse
Reduction Linoleum Cut on Paper, Printed on the Letterpress; 8” x 20” x 2”; 2010
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BP Executive Tony Hayward’s Oil Spluge
Reduction Linoleum Cut on Paper, Printed on the Letterpress; 8” x 20” x 2”; 2010
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Field Guide Vol. VI: Homing
Details from: Case-Bound Book with Drawings and Watercolor on Paper; 8” x 20” x 2”; 2010
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Flag for Mollusca cephalopda coleoidea infatuare
Silkscreen on Paper; 15” x 15”; 2009 Created for the Black Flag on the Moon, Portfolio Exchange, curated by Joe Loccisano in the Department of Art, Design, Humanities as Gallery Director and Instructor at State College of Florida (SCF).
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Field Guide, Vol. II: Battle of the Belugas
Battle of the Belugas: And They Awoke One by One; Etching with Aquatint on Paper; 11″x15″; 2009 Storyboard Sketches for ‘Field Guide, Vol. II: Battle of the Belugas’; Etchings with Aquatint on Paper; 11 units each 11” x 15” or 15” x 11”; Installation Variable; 2009
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Concert Posters for Nuçi’s Space in Athens, GA
I was a volunteer poster designer for Nuçi’s Space in Athens, Georgia in 2007-2008. Nuçi’s Space is a nonprofit with a mission of suicide prevention, and they provide many resources to musicians and other creatives. Some bands for whom I designed posters included Drive by Truckers, Stab the Cook, Gus D, Here Lies Cyndell, It’s…
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Rack
Rack, book made of wax, wire, faux fur, etching and drypoint on paper, 6.5″X7″X3.5″, Juried into and granted the Juror’s Discretionary Award by Juror Peter Frank, Los Angeles Printmaking Society’s 20th National Biennial. Los Angeles, CA, 2007
