Category: Professional Work Portfolio
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This Email Finds You
This print was created for SGCI 2024: Without Margins, an invitational printmaking exchange portfolio curated by Kyle Chaput of Baylor University in Waco, TX and Humberto Saenz of the University of Texas at San Antoni, TX. It will be exhibited in the following locations over 2024-2025, beginning with its presentation at the Southern Graphics Council…
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Quiltbait VI: idk
(Felt Quilt, Might Delete Later), Repurposed Quilted Fabrics with Machine Embroidery, 15″x15″x0.25″, 2023
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Two Drained
Hannah March Sanders with Blake Sanders; Crocheted repurposed fabric, screenprint, appliqué and reverse appliqué stitching; 8’x9’’; 2022
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Problem Areas
Screenprint on BFK Rives Paper; 16″ x 20″; 2022 Created for the Mid America Print Council (MAPC) themed portfolio exchange, “Voices of Print, Voices of Power,” curated by Professors Erin Holscher Almazan and Emily Sullivan Smith of the University of Dayton. Dayton, OH
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Work From Home: At Home at Work
Screenprint on BFK Rives Paper, 14″x11″, 2021 Created for the Collaborations and Cohabitations print exchange, curated by Blake Sanders.
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Tear/Tare
5.5”x5”x 2.5”, Crocheted Upcycled Fabrics with Scale and Digitally Drawn and Printed Zines; 2020-21 When do you go through your closet postpartum (X2 in my case) and decide what to keep and what to get rid of? How is this impacted by a history of eating disorders and disdain for one’s own physical form? How…
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The Book of Errors
Coptic-bound hardcover book comprised of repurposed hand-pulled prints (woodcut, linocut, screenprint, lithograph), graphite, watercolor, pen, colored pencil, collage, and mixed media; 11″ x 8″ x 4.5″; 2019-2020.
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(W)rest
Collaboration with Blake Sanders; Crocheted repurposed fabric, woodcut on fabrics, appliqué and reverse appliqué stitching, and snaps; 2019
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Quiltbait V: You’ll Be Shocked to See What This Quilt Looks Like in Real Life
Quilted Repurposed Fabrics with Appliqué, Screenprint, and Machine Embroidery; 21″ x 19″ x 0.25″; 2018-2019
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Autofill
Viscosity Collagraphs Printed from Bra Inserts and Screenprinted Autofill Email Responses on Paper with Appliqué, Machine Stitching, and Mixed Media; Approx. 74″ x 39″ x 14″ ; 2019
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Women’s ABC Book
Coptic Bound book with a hand quilted and needle-felted cover, screenprint, colored pencil, pen, ink, watercolor, and mixed media on cotton rag paper; approx. 12″x13″x2″; 2019
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Letdown
Woodcut Prints on Up-cycled Fabrics with Appliqué, Machine and Hand Stitching, Slashing, Poly-Fil, Nylon Stockings, Needle Felted Wool, Metal Brace, and Plastic Grocery Bags; 27″ x 52″ x 12”; 2018
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There in Spirit
Screenprint on Paper; 11″ x 14″; 2018 Created for the “Lonesome No More” Kurt Vonnegut Print Exchange, curated by Jolynn Reigeluth, which will be exhibited at the Kurt Vonnegut Museum and Library in Downtown Indianapolis
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Refuse
Hannah March Sanders with Blake Sanders; Crocheted repurposed fabric, appliqué and reverse appliqué, machine stitching, and snaps; 2018
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Quiltbait IV: You Won’t Believe What’s Embroidered on This Quilt
Quilted Repurposed Fabrics with Appliqué, Screenprint, and Machine Embroidery; 15” x 14” x 0.25”; 2017
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Quiltbait I: Cul-de-sac
Quilted Repurposed Fabrics with Screenprinting, Appliqué, and Machine Stitching; 16” x 31”; 2017
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Bleach and Whitewash
Crocheted Repurposed Fabrics with Bleach, Acrylic Fabric Ink, and Gesso; 11’ x 4’ x 3’, 0.5” thick; 2017
